If you’re drawn to stories of the art world (and who isn’t?), the beauty and the money and the chicanery, you might have considered picking up the following books. For me, aspiring writer that I am, they illustrated some of the differences between rather ordinary storytelling and the remarkable. I didn’t set out to make such a comparison, but the rather startling weaknesses of the first were all the more apparent upon reading the second.
The Art Forger is a debut novel by B.A. Shapiro (Chapel Hill: Algonquin Books of Chapel Hill, 2013). Glossy and sexy, the cover is clearly intended to draw the attention of what I’ll call the airport patron: quick choice, disposable, and full of positive reviews (“engaging”, “addictive”, “ingenious and skillful”, “blazingly good”, etc.). It was the subject matter, though, that drew this reader.
It’s a twist upon a twist in the art forgery sub-genre: Is the stolen, now-recovered Degas the original work or a forgery? If the latter, is making a forgery of a forgery a crime? It’s an interesting concept, and in more sure hands it might have been pulled off.
For me, the term “insouciance” came to mind. (I can’t tell you quite… Continue reading