In my last post, I laid the foundation for an occasional series exploring the sublime—unmatched and unmatchable human accomplishments that rise above all others, that rise “beyond all possibility of calculation, measurement or imitation.” Achievements which transport us viscerally or intellectually, emotionally or spiritually to a place of great wonderment. As examples, I proposed Rhapsody in Blue by George Gershwin and the sculpture Balzac by Auguste Rodin.
For my next nomination, I ask you to watch a performance of the Barcarolle from the opera by Jacques Offenbach, The Tales of Hoffman. Watch it here: http://www.youtube.com/watch?v=is0Lb4cj_3c. (Yes, my first suggestion for the transcendental requires you not only to listen to music which derives its name from gondoliers, but to watch it on social media, no less.) It will require about three minutes for your first time through, but my guess is you will want to hear it again, again, and perhaps again. I’ve imported a translation from the French below.
Sisters Irina and Christina Lordachescu perform the Barcarolle in what appears to be an anteroom of a concert hall in Budapest. They are accompanied only by a pianist. It’s an informal setting, not unlike having them in your… Continue reading
In the language of aesthetics, the sublime is “the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual or artistic. The term specifically refers to a greatness beyond all possibility of calculation, measurement or imitation.” [See footnote.]
But not beyond our accomplishment. And not beyond our appreciation, for the sublime transports us viscerally, intellectually, emotionally, and spiritually to a place of great wonderment. Of awe. It leads us to a capacious realization of the heights possible within the human experience. Of the pinnacles within our reach if only we pursue them.
Some accomplishments that attain the sublime are the product of spontaneous inspiration, or more likely of relentless exploration and trial by individuals who have the experience and perspicacity to allow such ideas to pierce the commonplace. I think, for instance, of Auguste Rodin and his rough but powerful statue Balzac, the great thinker standing far back and assessing—some say dominating—the world, his immense energy barely contained.
In Peter’s Parchment, The Beguilement of Brother Alphaios, while walking along… Continue reading
I’m old-school when it comes to business relationships: I prefer to work with people I’ve actually met rather than some cleverly e-named but faceless entity online. So it was with pleasure that I came across Jude Harlan last summer under a Lucky Bat Books banner at the Northwest Book Festival in Portland, OR. It required repeated trips back to her booth to speak with her, for each time I went by she was deep in conversation with someone else. I bided my time; wisely, it turned out.
After an initial conversation in which we took each other’s measure, we both did some due diligence. She and her co-founder, Cindie Geddes, read a substantial portion of the manuscript. For my part, I contacted three Lucky Bat authors with several questions about the imprint. Jude and Cindie invited me to sign on, and having received prompt and enthusiastic references regarding their work, I was pleased to do so.
I’m glad I did. Lucky Bat Books provided coherence for me in the complex, arcane world of modern publishing, and has delivered a beautiful product.
For more information on Lucky Bat Books, click here: … Continue reading
In a new blog entitled “Authentic Voice”, Editor Peter Gelfan cites BOOK OF HOURS: The Beguilement of Brother Alphaios as an example of an author with a “strong voice”. His comments are posted on the website of The Editorial Department, at the following link:
Gelfan states in part: “…By the time I was a few chapters into the book, I was convinced that the author had been a cloistered monk whose monastic duties included restoring the illuminations of antique manuscripts—just like his protagonist. This is what I mean by an authentic voice.”
Though considerable and detailed research was required in the preparation of BOOK OF HOURS, Gelfan notes: “Like Hemingway, Anderson doesn’t dwell on the tools of the trade but concentrates on his protagonist’s intent and how he plans meticulously to achieve it. Authenticity seems to have more to do with the characters’ involvement in the setting and props than with the author’s factual knowledge of them.”
Peter Gelfan is a freelance editor living and working in New York City, and author of Found Objects, a novel. When editing my work, he was direct, professional, and… Continue reading
If one has even a passing interest in architecture or history, one cannot ignore churches and cathedrals—monuments built to honor something greater than mankind itself. One such building is the Mission San Xavier del Bac, located just south of Tucson, Arizona.
I had photographed the mission a number of times, but was frustrated that my efforts only duplicated the many tourist postcards available throughout Tucson. That changed one evening when I set out on nothing more than an evening drive. It was early summer and already quite warm. The sky was cloudless, the light unusually soft. I had brought my camera. As the sun began its descent over the land of the Tohono O’Odham nation, the white mission church began to turn the golden colors you will see below.
This Catholic mission to local Indians was begun in 1692 by Father Eusebio Kino (long beloved in Southern Arizona), but his order, the Jesuits, were expelled from what was then called New Spain. Their work was taken over by the Franciscan Order, which started building the present structure of clay bricks and stone in 1783. The church was beautifully conceived and constructed, European in style… Continue reading